José Luis Fariñas – Skirting the Apocalypse Exhibition: Not to be missed

José Luis Fariñas – Skirting the Apocalypse Exhibition: Not to be missed

José Luis Fariñas’s 2011 series of detailed watercolors is reminiscent of masters Hans Bellmer and Hieronymus Bosch, but more delicate and… avian? Skirting the ...

 
continue... 19 January 2011 // Art
 
Walton Ford’s paintings of the beast kingdom

Walton Ford’s paintings of the beast kingdom

Beautiful Beasts with Murderous Intent
At first glance, Walton Ford’s large-scale, highly-detailed watercolors of animals may recall the prints of 19th century illustrators John ...

 
continue... 19 January 2011 // Art
 
The Tale of How: Animation

The Tale of How: Animation

The Tale of How is a visual odyssey of layers animated by the Blackheart Gang. The animation was the initial creation but additionally you can ...

 
continue... 19 January 2011 // Art
 
Less=more and limits are good!

Less=more and limits are good!

The creator’s function is to sift the elements he receives from her [the imagination], for human activity must impose limits on itself. The more ...

 
continue... 19 January 2011 // Art, Literature
 
Whenever I close my eyes I see forms of circles coming to life…

Whenever I close my eyes I see forms of circles coming to life…

Whenever I close my eyes I see forms of circles coming to life. It sort of feels like an emotional intensity throughout that circles are ...

 
continue... 11 January 2011 // Art
 
Medea: the queen murders her children

Medea: the queen murders her children

Anselm Feuerbach celebrates a woman of monumental size. Were she to stand up, she would burst out of the canvas. No one else in the ...

 
continue... 07 January 2011 // Art
 
Pieter Bruegel the Elder

Pieter Bruegel the Elder

Pieter Bruegel the Elder (1525 –1569) is generally considered the greatest Flemish painter of the 16th century.

He developed an original style that uniformly holds narrative, or ...

 
continue... 23 December 2010 // Art
 
Inside the terror of Matsui Fuyuko

Inside the terror of Matsui Fuyuko

Matsui Fuyuko's work is highly sensitive, violent and self-contradictory. However, when conveyed through a clear-cut classical format, her personal trauma is sublimated into something universal. ...

 
continue... 20 December 2010 // Art
 
 
 
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